Richard Wetzel Some Must Watch: Paintings 1983-85
March 21 - April 27, 2024
South Gallery
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Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Richard Wetzel, Some Must Watch, 1985, oil on linen, 56 x 42 inches.
Richard Wetzel, Triad, 1985, oil on linen, 70 x 44 inches.
Richard Wetzel, The Private Wound , 1985, oil on linen, 60 x 44 inches.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Richard Wetzel, Confidantes, 1983, oil on masonite panel, 64 x 48 inches.
Richard Wetzel, Flesh and Blood, 1985, oil on linen, 72 x 44 inches.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Richard Wetzel, Kinsman, 1985, oil on linen, 42 x 56 inches.
Richard Wetzel, Keeper of the Children, 1985, oil on linen, 44 x 60 inches.
Richard Wetzel, Ana Kai Tangata, 1985, oil on linen, 70 x 38 inches.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Richard Wetzel, Orongo, 1983, oil on masonite panel, 64 x 48 inches.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Installation view of Richard Wetzel, Some Must Watch: Paintings 1983-85, Corbett vs. Dempsey, March 21–April 27, 2024. Photo by Robert Chase Heishman.
Richard Wetzel, Kinsmen, 1992, Prismacolor pencil on paper, 44 x 30 inches.
Press Release
With great excitement, Corbett vs. Dempsey introduces Richard Wetzel, Some Must Watch: Paintings, 1983-85. This is the artist's third solo presentation with the gallery. Working from painstakingly organized schematic color charts, with associated works on paper executed in Prismacolor pencil, he gradually moved up in scale and shifted away from the specificity of images found in his collages toward invented imagery, eventually landing on a series of incredibly original biomorphic creations – monstrous forms in eerie, opalescent hues with monochromatic backgrounds. Richard Wetzel made the transition from collage and printmaking to painting over a period in the late 1970s. An intrepid draftsman in any medium, from the early works back-printed on Plexiglass to his current sculptural works mixing wood, bone, antler, and other materials, Wetzel's paintings are marvels of fetishistic surface and luminous gleam. The subject matter of these canvases has a science-fictional orientation – mutant hybrids of insect and vegetable are shown in close-up detail, depicting creatures that are beautiful, gruesome, and often ominously sexual. Not seen since they were made, the nine thermonuclear works in Some Must Watch constitute a sort of post-apocalyptic suite, perhaps more relevant today than when they were first executed.
Since emerging in the late 1960s as a member of the Nonplussed Some, one of the original Imagist exhibition groups, Wetzel has been living and working in Chicago. He has shown with Zaks Gallery, where these paintings debuted four decades ago, and OK Harris Gallery in New York. Wetzel's own Sedgwick Street Gallery, opened in 1962 when he was just out of high school, gave Ed Paschke and Karl Wirsum their first solo exhibitions.