Robert Lostutter Songs of War

May 5 - June 17, 2023

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Installation view of Robert Lostutter: Songs of War, Corbett vs. Dempsey, May 5–June 17, 2023. Photo by Robert Chase Heishman.

Robert Lostutter, The Songs of War 12, 2021, graphite on paper, 9 1/4 inches x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, The Songs of War 5, 2020, graphite on paper, 9 1/4 inches x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, The Songs of War 8, 2021, graphite on paper, 9 1/4 inches x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, The Songs of War 3, 2021, graphite on paper, 9 1/4 inches x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, The Songs of War 1, 2021, graphite on paper, 9 1/4 inches x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, Untitled (sketchbook drawing), 2020, ballpoint pen on paper, 6 x 11 1/2 inches, 11 3/4 x 17 inches, matted.

Robert Lostutter, Untitled (sketchbook drawing), 2020, graphite on paper, 6 x 11 1/2 inches, 11 3/4 x 17 inches, matted.

Robert Lostutter, Untitled (sketchbook drawing), 2019, ballpoint pen on paper, 6 x 11 1/2 inches, 11 3/4 x 17 inches, matted.

Robert Lostutter, Untitled (sketchbook drawing), 2020, ballpoint pen on paper, 11 x 8 inches, 16 1/2 x 13 3/4 inches, matted.

Robert Lostutter, Untitled (sketchbook drawing), 2018, ballpoint pen and graphite on paper, 11 x 8 inches, 16 1/2 x 13 3/4 inches, matted.

Robert Lostutter, Untitled (sketchbook drawing), 2018, graphite on paper, 11 x 8 inches, 16 1/2 x 13 3/4 inches, matted.

Robert Lostutter, Untitled (sketchbook drawing), 2019, ballpoint pen on paper, 11 x 8 inches, 16 1/2 x 13 3/4 inches, matted.

Robert Lostutter, The Songs of War 9, 2021, 10 x 10 inches, 19 3/4 x 19 3/4 inches, framed.

Robert Lostutter, The Songs of War 15, 2021, 10 x 10 inches, 19 3/4 x 19 3/4 inches, framed.

Robert Lostutter, The Songs of War 7, 2021, 10 x 10 inches, 19 3/4 x 19 3/4 inches, framed.

Robert Lostutter, The Songs of War 16, 2022, watercolor on paper, 14 x 14 inches, 23 3/4 x 23 3/4 inches, framed.

Robert Lostutter, The Songs of War 12, 2022, watercolor on paper, 14 x 14 inches, 23 3/4 x 23 3/4 inches, framed.

Robert Lostutter, The Songs of War 1, 2022, watercolor on paper, 14 x 14 inches, 23 3/4 x 23 3/4 inches, framed.

Robert Lostutter, The Songs of War 3, 2022, watercolor on paper, 14 x 14 inches, 23 3/4 x 23 3/4 inches, framed.

Robert Lostutter, The Songs of War 5, 2023, watercolor on paper, 14 x 14 inches, 23 3/4 x 23 3/4 inches, framed.

Robert Lostutter, The Songs of War 16, 2020, graphite on paper, 9 1/4 x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, The Songs of War 10, 2020, graphite on paper, 9 1/4 x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, The Songs of War 17, 2021, graphite on paper, 9 1/4 x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, The Songs of War 4, 2020, graphite on paper, 9 1/4 x 9 inches, 19 x 18 3/4 inches, framed.

Robert Lostutter, In the Garden of Earthly Delights, 2021, graphite on paper, 18 x 18 inches, 27 3/4 x 27 3/4 inches, framed.

Press Release

OPENING RECEPTION • FRIDAY, MAY 5 • 6:00–8:00 PM

Corbett vs. Dempsey is pleased to present Songs of War, an exhibition of new watercolors and graphite drawings by Robert Lostutter. This is the artist’s fifth solo show at CvsD.

Channeling the extreme angst of today’s global political and social environment, Robert Lostutter (b. 1939) presents a terrifying vision of contemporary humanity in a shocking new body of work. Wielding the same incredible craftsmanship and care that have been trademarks of his hand since the 1960s, when he first emerged on the Chicago art scene, Lostutter introduces an element of grotesquerie into his latest delicate watercolors and drawings, taking a brutal, quite breathtaking leap into abjection barely presaged by his earlier works. These figurative portraits—situated in sumptuously rich monochrome or blacker-than-black backgrounds—depict humanoid creatures with protruding jaws, wayward teeth, lolling tongues, exposed brains, and lappets of extra skin. While Lostutter’s earlier figuration featured hybrids of humans and birds or flowers, or tightly bound torsos intimating BDSM, the present disfigured subjects are less hybrid than they are inbred; the intimated is made explicit with the latent utopianism of his work suddenly turned in on itself—a clear indication of the artist’s disgust at our current social atavism. With a title evocative of Winslow Homer’s work picturing scenes from the American Civil War, Lostutter’s series dares to caricature bloated and malevolent legionnaires in an unblinking manner. Like a speculative fiction of New Objectivity—Otto Dix on steroids—these men populate a bleak contemporaneity, staring blankly into the social abyss through eyes as elegantly composed as a pencil or paintbrush can manage.