Jimmy Wright Down Home
March 17 - April 29, 2023
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Installation view of Jimmy Wright: Down Home, Corbett vs. Dempsey, March 17–April 29, 2023. Photo by Robert Chase Heishman.
Installation view of Jimmy Wright: Down Home, Corbett vs. Dempsey, March 17–April 29, 2023. Photo by Robert Chase Heishman.
Installation view of Jimmy Wright: Down Home, Corbett vs. Dempsey, March 17–April 29, 2023. Photo by Robert Chase Heishman.
Installation view of Jimmy Wright: Down Home, Corbett vs. Dempsey, March 17–April 29, 2023. Photo by Robert Chase Heishman.
Jimmy Wright, Estelle’s Valise: Turkey Creek Cabin, 1991, monotype, 30 x 22 inches. Photo by Robert Chase Heishman
Jimmy Wright, Estelle’s Valise: Family Album, 1991/1996, monotype with pastel, 22 x 29 3/4 inches. Photo by Robert Chase Heishman
Jimmy Wright, Estelle’s Valise: The Wedding Handshake, 1991, monotype, 21 3/4 x 29 1/2 inches. Photo by Robert Chase Heishman
Jimmy Wright, Estelle’s Valise: Gone Home, 1991, monotype, 22 x 30 inches. Photo by Robert Chase Heishman
Jimmy Wright, Big Mama Family Portrait #3, 1989, monotype with pastel, 15 x 11 inches. Photo by Robert Chase Heishman
Jimmy Wright, Big Mama Family Portrait #9, 1989, monotype, 15 x 11 inches. Photo by Robert Chase Heishman
Jimmy Wright, Big Mama Family Portrait #6, 1989, monotype, 15 x 11 inches. Photo by Robert Chase Heishman
Jimmy Wright, Father and Son #26, 1989/1996, monotype with pastel, 15 x 11 inches. Photo by Robert Chase Heishman
Jimmy Wright, Farmer and Son #25, 1989, monotype, 15 x 11 inches. Photo by Robert Chase Heishman
Jimmy Wright, Estelle’s Valise: Drummer Boy #1, 1991, monotype, 29 1/2 x 22 inches. Photo by Robert Chase Heishman
Jimmy Wright, Estelle and Ruth with the Dogs #16, 1989, monotype with pastel, 15 x 11 inches. Photo by Robert Chase Heishman
Jimmy Wright, Estelle’s Valise: Brother, 1991, monotype, 22 x 14 3/4 inches. Photo by Robert Chase Heishman
Jimmy Wright, Estelle’s Valise: Brothers, 1991/1996, monotype with pastel, 22 x 14 3/4 inches. Photo by Robert Chase Heishman
Jimmy Wright, Down Home: Rives, TN, 1991, artist’s book (a series of individual oil-based monotypes, 7 1/2 x 11 inches sheet size, assembled in an accordion-fold binding), 8 x 11 1/2 x 1 inches closed, version two.
Press Release
OPENING RECEPTION • FRIDAY, MARCH 17 • 6:00–8:00 PM
In the late 1980s, working at the Lower East Side Print Shop near his home in Manhattan, Jimmy Wright created a series of monotypes based on tintypes and other early photographs of his family and their rural Kentucky environs. Wright settled in New York in the early 1970s and spent that decade drawing from scenes he witnessed in the city's underground gay clubs and bathhouses. The buttoned-up scenes of his ‘80s prints were the exact converse of those explicit drawings, exchanging an everything-bared sexuality for the deeply repressed carnal energies of a strictly religious upbringing. But this converseness turns out to be a kind of complementarity, the overt and the covert as two sides of the same Kentucky coin. Evoking and interrogating the nostalgic quality of family pictures, Wright made use of theme and variation, putting the haunting portraits through a series of modulations—shifting colors, always pale and washy, almost disappearing in front of our eyes, like the Wright family's version of the agrarian south. Some of the works utilize inset cameos, compiling different portraits and scenes into composite images, like family albums, while others gently retouch the delicate, cloudy, layered inks with more saturated pastels, refocusing and inflecting them. Wright assembled two vivid sets of smaller pages into artist books, with accordion constructions, one of which is included in and lends its name to the exhibition. Down Home is accompanied by a special 'zine featuring images of the monotypes and some of the source materials that inspired them.