Gertrude Abercrombie / Julia Thecla West Wing

May 17, 2013 - June 22, 2013

West Wing

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Julia Thecla


Julia Thecla
Ceremony with White Cat Hat
1961
tempera, charcoal, and graphite on Strathmore board
15 x 10 inches

Julia Thecla

Untitled
1950s
tempera, colored pencil, and fumage on paper
12 x 10 inches

Julia Thecla

Gargoyles and Others
1954
tempera, charcoal, and fumage on paper
5 x 13 1/2 inches

Julia Thecla

Cave Entrance
1955
tempera, charcoal, and black ink on paper
11 x 14 inches

Gertrude Abercrombie

Head on a Plate
1936
oil on composition board
14 x 17 1/2 inches

Gertrude Abercrombie

Untitled
1956
oil on panel
7 3/8 x 9 1/2 inches

Press Release

An opening reception will be held at the gallery on Friday, May 17, from 5:00-8:00pm.

In the West Wing, Corbett vs. Dempsey presents two venerable figures in the history of Midwestern surrealism: Gertrude Abercrombie and Julia Thecla. Abercrombie is perhaps the best known painter in this mode, having issued legions of brilliant small paintings from her home studio in Hyde Park from the 1930s until her death in 1977.  Classic Abercrombies are often set in the flat Illinois landscape, with spare trees and lonely buildings and an occasional figure.  In this presentation, an exceptional early work, Head on a Plate (1936), features a black cat and a self-portrait, decapitated and, per title, head served on a platter. More obscure but no less ferociously inventive, Thecla was genuinely odd, and her paintings reflect her wonderful, weird take on the world, which includes animated satellites arrayed in galactic clusters and bizarre creatures cavorting playfully.  Included will be one of Thecla’s rare fumage paintings, which utilizes candle soot as a ground for the figures.

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