EXPO CHICAGO 2023
April 13 - 16, 2023
Booth 223
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Installation view of Corbett vs. Dempsey, Booth 223 at EXPO CHICAGO (April 13–16, 2023).
Installation view of Corbett vs. Dempsey, Booth 223 at EXPO CHICAGO (April 13–16, 2023).
Installation view of Corbett vs. Dempsey, Booth 223 at EXPO CHICAGO (April 13–16, 2023).
Installation view of Corbett vs. Dempsey, Booth 223 at EXPO CHICAGO (April 13–16, 2023).
Installation view of Corbett vs. Dempsey, Booth 223 at EXPO CHICAGO (April 13–16, 2023).
Ellen Berkenblit, TBT, 2020, gouache and graphite on paper, 30 x 22 inches, 33 x 25 inches, framed.
Ellen Berkenblit, Untitled, 2020, gouache and graphite on paper, 22 x 15 inches, 25 x 18 inches, framed.
Ellen Berkenblit, Striped Taffeta Ribbon, 2020, gouache and graphite on paper, 30 x 44 inches, 33 3/8 x 47 inches, framed.
Ray Johnson, Untitled (Snake with Hamburger Designs), 1973-80-87-89-92-92 +, collage on cardboard panel, 15 x 15 inches.
Charline von Heyl, Nightpack (Gothic), 2014, color sugar lift and spit bite aquatint with soft ground etching and drypoint on gampi paper chine colle, image size: 44 3/4 x 35 3/4 inches; paper size: 52 3/4 x 3/4 inches. Edition of 10, AP #5
Richard Weztel, Territorial Display, 1979, oil and Soluvar varnish on board, 48 x 36 inches. Photo by Robert Chase Heishman
Lui Shtini, Ursus, 2021, oil, graphite and enamel on aluminum composite panel, 49 x 59 1/8 inches. Photo Courtesy: Harkawik
Sam Gilliam, Phelps, 2016, monotype, with hand-coloring and collage, on handmade paper on canvas, 40 x 40 inches.
Miyoko Ito, The Kite Day, c. 1955, oil on linen, 48 1/2 x 33 1/2 inches. Photo by Robert Chase Heishman
Diane Simpson, Apron X, 2005, aluminum and leather, 73 x 36 x 8 1/2 inches.
Rebecca Shore, Untitled (22-08), 2022, acrylic on linen, 30 x 25 inches.
Thomas H. Kapsalis, 3D-Sphere, 1978, oil on canvas, 38 x 28 inches.
Rebecca Morris, Untitled (#12-21), 2021, oil and spraypaint on canvas, 75 x 77 inches
Karl Wirsum, Untitled, 1974, coloured pencil and wax pencil on notebook paper, 17 x 13 1/2 inches.
Karl Wirsum, Untitled, 1974, wax pencil, graphite and marker on notebook paper, 13 1/2 x 17 inches.
Karl Wirsum, Untitled, 1973, ball point pen, wax pencil and ink on notebook paper, 17 x 13 1/2 inches.
Magalie Guérin, Untitled, 2021, oil on canvas on panel, 45 x 36 inches. Photo: Nathan Keay
Jimmy Wright, Estelle’s Valise: Forest Giants at Turkey Creek, 1991, monotype, 30 x 22 inches. Photo by Robert Chase Heishman
Sun Ra, When Sun Comes Out, c. 1960, unwrapped record cover, serigraph and offset print on yellow paper, 12 3/4 x 22 1/2 inches, 15 1/2 x 25 1/4 x 1 1/2 inches, framed. Photo by Robert Chase Heishman
Philip Hanson, O Rose thou art sick (Blake), 2019, oil on canvas, 24 inches diameter.
Celeste Rapone, Loveseat, 2023, oil on canvas, 46 x 52 inches. Jamie M. Stukenberg Photography
Josiah McElheny, Crystalline Prism Painting IV, 2015, oil paint on board, hand-formed press-molded polished glass, low-iron mirror, museum glass, oak, sumi ink, 20 x 20 x 5 7/8 inches
Josiah McElheny, Crystalline Prism Painting I, 2015, oil paint on board, hand-formed press-molded polished glass, low-iron mirror, museum glass, oak, sumi ink, 22 x 22 x 6 3/8 inches.
Brian Calvin, Exhale, 2017, acrylic on canvas, 60 inches diameter. Photo by Robert Chase Heishman
Gabrielle Garland, Untitled, 2023, acrylic and oil on canvas, 48 x 48 inches.
Gabrielle Garland, Untitled, 2023, acrylic and oil on canvas, 48 x 48 inches.
David Hartt, The Garden (Passiflora foetida / Rome, Italy / May 17, 2022), 2022, polyester, cotton, wood, acrylic, KGem (cotton mercurise) mounted to linen, wood stretcher, and aluminum frame, 117 1/4 x 79 7/8 x 2 inches. Jamie Stukenberg Photography
Press Release
At EXPO CHICAGO 2023, Corbett vs. Dempsey is delighted to present works from the gallery’s program across a diversity of mediums. Rebecca Morris—whose paintings are featured in an upcoming survey traveling from the Institute of Contemporary Art, Los Angeles, to the Museum of Contemporary Art Chicago—contributes a daring new abstraction, as does Molly Zuckerman-Hartung, who will be in conversation with Tyler Blackwell, the curator of her 2021 exhibition Comic Relief at the Blaffer Art Museum in Houston, as part of the fair’s /Dialogues series. CvsD’s booth will feature two “Crystalline Prism” paintings by Josiah McElheny; an important “Apron” sculpture by Diane Simpson; a large aquatint by Charline von Heyl; a trio of mysterious works on paper by Ellen Berkenblit; tondo canvases by Philip Hanson and Brian Calvin; new paintings by Rebecca Shore, Lui Shtini, Roscoe Mitchell, and Gabrielle Garland; a brilliant, small tapestry by Christina Forrer; and an enormous tapestry by David Hartt from his series “The Garden.” Featured historical works include a group of 1970s watercolors by Karl Wirsum; a 1978 geometric abstraction by Thomas H. Kapsalis (who passed away last year, age 97); a beautiful canvas by Miyoko Ito—Kapsalis’ classmate at the School of the Art Institute of Chicago; and a sleek, super weird 1979 painting by Richard Wetzel. As a nod to the current exhibitions at the gallery, the booth also presents related monotypes by Sam Gilliam and Jimmy Wright.