Aaron Curry Raw Dog
September 11 - November 1, 2025
View
Aaron Curry, Nude Figure, 2025, wood, 60 x 22 x 17 inches.
Aaron Curry, Nude Figure, (alternate view).
Aaron Curry, Nude Figure, (alternate view).
Aaron Curry, Nude Figure, 2025, wood, 66 x 23 x 27 inches.
Aaron Curry, Nude Figure, (alternate view).
Aaron Curry, Nude Figure, (alternate view).
Aaron Curry, Abstraction Box (with Blue Guts), 2025, acrylic gouache on wood, 16 x 12 1/2 x 7 inches.
Aaron Curry, Abstraction Box (with Blue Guts), (alternate view).
Aaron Curry, Abstraction Box (with Pink Guts), 2025, acrylic gouache on wood, 12 x 10 x 7 inches.
Aaron Curry, Abstraction Box (with Pink Guts), (alternate view).
Aaron Curry, Abstraction Box (with Pink Guts), (alternate view).
Aaron Curry, Cluster Flux, 2025, acrylic gouache on wood, 30 x 22 x 3 3/4 inches.
Aaron Curry, Cluster Flux, (alternate view).
Aaron Curry, Negative Positive Negative, 2025, acrylic gouache on wood, 19 x 20 x 2 1/2 inches.
Aaron Curry, Negative Positive Negative, (alternate view).
Aaron Curry, Picture Knot, 2025, acrylic gouache on wood, 20 3/4 x 18 x 3 3/4 inches.
Aaron Curry, Picture Knot, (alternate view).
Aaron Curry, Abstraction Box (Head Cloud), 2025, acrylic gouache on wood, 27 x 11 1/2 x 5 1/8 inches.
Aaron Curry, Abstraction Box (Head Cloud), (alternate view).
Aaron Curry, Abstraction Box (Head Cloud), (alternate view).
Aaron Curry, Crystal Fluster Clux, 2025, acrylic gouache on canvas in artists frame, 18 x 17 x 2 inches, unsigned.
Aaron Curry, Crystal Fluster Clux, (alternate view).
Aaron Curry, Primordial Cluster Flux, 2025, acrylic gouache on canvas in artists frame, 16 1/4 x 13 x 1 1/2 inches.
Aaron Curry, Primordial Cluster Flux, (alternate view).
Aaron Curry, Primordial Slop, 2025, acrylic gouache on canvas, 66 x 60 x 2 inches, signed recto.
Aaron Curry, Cute Scary Stuff, 2025, collage, 11 x 8 1/8 inches (unframed), signed and dated verso.
Aaron Curry, New American Science, 2025, collage, 11 1/8 x 7 7/8 inches (unframed), signed and dated verso.
Aaron Curry, Yay Yay Yay Yay, 2025, collage, 11 1/4 x 8 1/4 inches (unframed), signed and dated verso.
Aaron Curry, Weird Kid, 2025, collage, 11 3/4 x 7 5/8 inches (unframed), signed and dated verso.
Aaron Curry, Count, 2025, collage, 11 1/2 x 7 3/4 inches (unframed), signed and dated verso.
Aaron Curry, Gambling Man, 2025, collage, 11 3/8 x 8 1/2 inches (unframed), signed and dated verso.
Press Release
Opening Reception: Thursday, September 11 | 6-8pm
Corbett vs. Dempsey presents Aaron Curry, Raw Dog, an exhibition of new sculptures, paintings, and collages. This is the gallery's first exhibition with Curry, and the artist's first solo show in Chicago.
Aaron Curry (b. 1972) has charted a unique space for his work between the most sub-underground mania of the American pulp grotesque (think comix culture and the surreal side of sleazy commercialism) and the most refined formal elements of European high modernism (think Arp, Miro, Picasso). Based primarily in floor sculpture, his practice moves wildly between mediums, attaching to the walls (paintings, 3-D hanging boxes, collages), spreading into print (books, magazines, newsprint), as well as music and video. An avid historian of offbeat cultural materials, he synthesizes these points of reference in works that are often awash in dizzyingly clashing colors, hyperactive Matta-esque motion, and an ingenuity of construction that is as beautiful as it can be baffling. In Raw Dog, Curry introduces a new component to his wood sculptures, which is to leave them largely unpainted, allowing the natural grain of the material, its whorls and knots and eyes, to carry that sense of flow. Occasional flashes of hot pink, turquoise, and grape purple complement the tanscapes on several boxes and flatworks, while two human-scale sculptures are resolutely wooden, with cut away holes and curvilinear forms dancing with the wood's own patterns, the whole work suggesting a figure, cock's comb perched atop. One large painting compresses all the color that might have been in the other works into a single, atomically-charged abstract canvas.
Although this is Curry's first show in Chicago, he is no stranger to the city. He received his BFA from the School of the Art Institute of Chicago before heading to the Art Center in Pasadena for grad school. The Chicago Imagists have remained an important touchstone for Curry in his work, in particular Karl Wirsum. Curry is exhibited widely internationally, with recent shows at Michael Werner Gallery (NYC), David Kordansky (Los Angeles), The Ranch (East Hampton, NY), McNay Art Museum (San Antonio, TX), STPI Creative Workshop and Gallery (Singapore), the Bass Museum of Art (Miami), and the deCordova Sculpture Park and Museum (Lincoln, MA).