John Sparagana's training as a painter imbues his work with a sensitivity to materials that it has never lost. He has been working with manipulated print media for the last decade, establishing a startlingly original oeuvre. In a progression of earlier series, Sparagana used magazine pages - usually from fashion magazines - which he manually fatigued, sometimes in toto, sometimes in parts. The resulting images interrupt and hijack meaning from the original pop culture context, intervening in their ostensible commercial mechanism in subtle, poetic ways. Some of these works appear in
Sleeping Beauty, a book he and writer Mieke Bal created collaboratively (University of Chicago Press, 2008). In the intervening two years since that publication, Sparagana has systematically explored several new processes, cutting and interdigitating magazine pages in a thoroughly fresh and unexpected manner. In 2009, he completed a large group of these labor intensive pieces utilizing pages from the German periodical
Der Spiegel in which he shifted the investigation from intervention in image to abstraction of text (turning text into field) and negotiation of text/image relationships. Most recently, Sparagana has continued working with news media, interposing abstract shapes (often in reflective or solid colors) drawn from the canon of modernist, pop, and post-conceptual art (Kelly, Warhol, Oiticica, Smithson).
Education
Stanford University, Stanford, CA, MFA
Teaching
Rice University, Houston, TX, Full Professor
Selected Solo Exhibitions
2009
The Crisis Professionals, CTRL, Houston, TX
2008
Jane South John Sparagana, CTRL Gallery, Houston, TX
2007
Afternoon Hallucinogenic, Priska C. Juschka Fine Art, New York, NY
2006
What the Child Saw, What the Lover Saw, What the Killer Saw, moniquemeloche, Chicago, IL
2005
People Everywhere are Stoned, Mixture Contemporary Art, Houston, TX
2004
People Everywhere are Tired, Modern Culture, New York, NY
Sleeping Beauty, Mixture Contemporary Art, Houston, TX
2002
I Wait For You Every Night, Rice University Media Center, Houston, TX
Swoon, wall installation, James Gallery, Houston, TX
2001
Sublime, James Gallery, Houston, TX
Selected Group Exhibitions
2009
Olio, Tony Wight Gallery, Chicago, IL
NEXT Art Fair, Chicago, CTRL, Houston, TX
Signs of the Apocalypse / Rapture, Hyde Park Art Center, Chicago, IL
2008 NEXT Art Fair, Chicago, CTRL, Houston, TX
2007
Antennae, Houston Center For Photography, Houston, TX
The Exquisite Snake, Bloch Museum of Art, Evanston, IL
Bold Saboteurs, Corbett vs. Dempsey, Chicago, IL
Aqua Art Miami, CTRL, Houston, TX
2006
Making/Breaking, two-person exhibition with Anni Holm at the Moser Performing Arts Center at University of
St. Francis, Joliet, IL, curated by Matt Wilson and Paul Erschen
Full Frontal, Corbett vs. Dempsey, Chicago, IL
GEEP, Oresman Gallery, Smith College, Northampton, MA, curated by Atopia Projects
In This House That I Call Home, Western Project, Los Angeles, CA
In Sight: Recent Additions To The Permanent Collection, Museum of Contemporary Photography, Chicago, IL
2005
Kiss Me Long and Hard, Priska C. Juschka Fine Art, New York, NY
Post-Photography, Changing Role-Move Over Gallery, Naples, Italy
Girls of Summer, moniquemeloche, Chicago, IL
Pages, I Space, Chicago, IL, curated by Buzz Spector
No Monument, The Guest Room Project, Chicago, IL
Dating Data, Josee Bienvenu Gallery, New York, NY
2004
GEEP, Cell 77, Edinburgh, Scotland
John Sparagana & Laura Mosquera, Bright Group showroom, Chicago, IL, curated by Monique Meloche
NADA Art Fair, Miami, Mixture Contemporary, Houston, TX
Editor's Choice: John Sparagana and Laura Mosquera, moniquemeloche, Chicago, IL
State of Affairs, Savage Art Resources, Portland, OR, curated by Stuart Horodner
Sketchbook: Collaboraction, Chopin Theatre, Chicago, IL
You're No Photographer, Bad Dog Gallery, DeKalb, IL, curated by Geoffrey Smith
2003
re: LAX, DCKT Gallery, New York, NY
NADA Art Fair, Miami, Mixture Contemporary, Houston, TX
Collectible, Northern Illinois University Gallery, Chicago, IL
2002
Pasted On, Carl Hammer Gallery, Chicago, IL
Re-Action, Jan Weiner Gallery, Kansas City, MO
John Sparagana, Ann Strautberg, Dornith Doherty: FotoFest 2002, James Gallery, Houston, TX
2001
Beefcake/Cheesecake: Sex, Flesh, Money, and Dreams, Orange County Center for Contemporary Art,
Santa Ana, CA
Operating Systems, Susan Cummins Gallery, Mill Valley, CA
Collage 2001, Etherington Gallery, Vineyard Haven, MA
2000
Eros, Municipal Exhibition Hall, LaRoque Thimbault, France
Shake the Coat, Northpark University Gallery, Chicago, IL
Teenie Weenie, Lawndale Art Center, Houston, TX
1999
It Looks Easy: A Cross Section of Recent Painting in Chicago, Gallery 400, University of Illinois at Chicago,
Chicago, IL
Is This a Joke or What? Feminism, Humour and Contemporary Art in Texas, O'Kane Gallery, University of
Houston-Downtown, Houston, TX
Grants, Fellowships, Residencies, and Awards
2003 Ucross Foundation, Clearmont, WY, Residency Fellowship
2001 Cultural Arts Council of Houston, Houston, Texas, Individual Artist's Grant
1996 Cultural Arts Council of Houston, Houston, Texas, Individual Artist's Grant
1995-6 Roswell Museum & Art Center, Roswell NM, Artist-in-Residence Program
1992 Cultural Arts Council of Houston, Houston, Texas, Individual Artist's Grant
1988-9 Mid-America Arts Alliance/National Endowment for the Arts
1987-8 Bemis Project/Alternative Worksite, Omaha, Nebraska, Residency Fellowship
1987 Cite Internationale des Arts, Paris, France, Residency Fellowship
1985-7 Stanford University Department of Art, Stanford, California, Full Fellowship
Shows including John Sparagana:
• Bold Saboteurs (publication)